The impact of dramatic transformations happened between the last decade of socialist period and the first two decades of post-soviet Moldova history still constitutes a disputable topic among specialists from different fields, as well as the emerging public history discourses on memory, identity and nation-building.
A Photographic Research Project by Ilya Rabinovich will be of great interest for a large audience of people from the lovers of photography, museums, history or Moldova‘s cultural life to the consecrated scholars studying visual arts, philosophy, ethnography, museology or memory and identity through the investigation of complex interrelationship between ‗gaze, diaspora, trauma‘ (p.
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